AGAINST ALL ODDS

(A7sus)How can I just (Am7)let you walk (Bm7)a way, just let you (C)leave with out a trace,

when I (F)stand here tak ing ev ’ry breath with you?

Ooh.

You’re the (Dm7)on ly one who real ly knew me at all.

(A7sus)How can you just (Am7)walk a way (Bm7)from me,

when all (C)I can do is watch you leave?

’Cause we’ve (F)shared the laugh ter and the pain, and (Em7)e ven shared the tears.

You’re the (Dm7)on ly one who real ly knew me at all.

So take a look at me now,

well, there’s just an (D7)emp ty space,

and there’s noth ing (Am7)left here to re mind me, just a mem ’ry of your face.

Ooh, take a look at me now,

well, there’s just an (D7)emp ty space,

and you com ing back to me is a gainst the odds, do, and that’s what I’ve got to face.

I (A7sus)wish I could just (Am7)make you turn (Bm7)a round,

when all (C)turn a round and see me cry.

There’s so (F)much I need to say to you, so (Em7)man y rea sons why.

You’re the (Dm7)on ly one who real ly knew me at all.

So take a look at me now,

well, there’s just an (D7)emp ty space,

and there’s noth ing (Am7)left here to re mind me, just a mem ’ry of your face.

Now, take a look at me now,

’cause there’s just an (D7)emp ty space.

and you But to wait for you is is all I can do, and that’s what I’ve got to face.

I I’ve got to face.

Take a good (G)look at me now,

’cause I’ll still be (D7)stand ing here,

and you com ing back to me is a gainst all odds, it’s the (Dm7)chance I’ve got ta take.

Take a look at me now.